A performance of Handel’s Messiah by La Chapelle de Québec and Les Violons du Roy is always a cause for rejoicing. This year, for the very first time, Les Violons du Roy music director Jonathan Cohen will lead the celebrations. And he’s invited an extraordinary quartet of soloists to join him for the event.
Conductors and soloists
Jonathan Cohen has forged a remarkable career as a conductor, cellist, and keyboardist. Well known for his passion and commitment to chamber music, Jonathan is equally at home in such diverse areas as Baroque opera and the Classical symphonic repertoire. He is Artistic Director of Arcangelo, Music Director of Les Violons du Roy, Artistic Director of the Tetbury Music Festival, and Artistic Partner of the Saint Paul Chamber Orchestra.
In 2010 Jonathan founded Arcangelo, an ensemble that strives to present special musical projects of the highest quality. He has toured with the group to exceptional halls and festivals, including Wigmore Hall in London, Philharmonie Berlin, Kölner Philharmonie, Vienna Musikverein, the Salzburg Festival, and Carnegie Hall in New York. Arcangelo made its Proms debut at the Sam Wanamaker Playhouse in 2016 and returned to the Proms in 2018 to present Theodora to a sold-out Royal Albert Hall. As part of its 10th anniversary celebrations, the ensemble will revive its Theodora for a performance at the Wiener Konzerthaus in January 2020 and will also perform Haydn’s Creation at the Barbican Centre.
Arcangelo is busy and much in demand in the recording studio, partnering with fine soloists such as Iestyn Davies (its disc Arias for Guadagni won the Recital Category at the 2012 Gramophone Awards and its recording of Bach cantatas was best Baroque Vocal recording at the 2017 Gramophone Awards), Anna Prohaska, and Christopher Purves for Hyperion Records. Arcangelo’s Mozart disc with Vilde Frang on Warner Classics reached No. 1 on the UK specialist Classical chart and received an Echo Klassik Concert Award. Recital recordings with both Christiane Karg and Matthew Rose were nominated for International Opera Awards in 2016. Its recording CPE Bach Cello Concertos with Nicolas Altstaedt won the BBC Music Magazine Awards Concerto category in 2017, and its Buxtehude Trio Sonatas, Op.1 recording for Alpha Classics was nominated for Best Chamber Music/Small Ensemble Performance at the 2018 Grammy Awards. Arcangelo’s most recent recordings of Magnificats by members of the Bach family and Charpentier’s Leçons de ténèbres are already attracting critical acclaim.
A native of Bolivar, New York, soprano Joélle Harvey has established herself as a noted interpreter of a broad range of repertoire, anchored by Handel, Mozart, and new music.
Ms. Harvey’s engagements during the 2021-2022 season include debuts at Opernhaus Zürich (Aristea in Pergolesi’s L’Olimpiade), the Chicago Symphony Orchestra (Barber’s Knoxville: Summer of 1915, conducted by Jakub Hrůša), and The University Musical Society at University of Michigan (Handel’s Messiah). She joins Les Violons du Roy for further Messiah performances, returns to the North Carolina Symphony (Mahler’s Symphony No. 4), the Indianapolis Symphony (Beethoven’s Symphony No. 9), and continues her close collaboration with Boston’s Handel & Haydn Society in two appearances: Vivaldi’s Gloria and CPE Bach’s Magnificat, conducted by Jonathan Cohen, and Haydn’s The Creation, led by Harry Christophers in his final performances as H&H Artistic Director.
During the 2020-2021 season, Ms. Harvey filmed a performance of Villa-Lobos’ Bachianas Brasilieras No. 5 with The Cleveland Orchestra as part of their re-configured season, made her Cincinnati Symphony May Festival debut, performing Britten’s Les Illuminations and joined the Handel & Haydn Society for a filmed production of their annual Messiah concert. Additionally, she collaborated with Los Angeles Opera on Anna Clyne’s The Gorgeous Nothings, a setting of Emily Dickinson texts for their On Now initiative, and later in the summer joined the Elgin Symphony for Barber’s Knoxville Summer of 1915, and Bard Summerscape for performances of songs by Nadia Boulanger as well as excerpts of Brahms’ Liebeslieder Waltzes.
Original engagements for Ms. Harvey’s 2019-2020 season featured important debuts, as Pamina in Die Zauberflöte with the Metropolitan Opera. She returned to the Cleveland Orchestra for Mahler’s 4th Symphony as well as Mozart’s Mass in C Minor. Mahler’s 2nd Symphony featured prominently this season, for which she was scheduled to return to the St. Louis Symphony. Her season also included appearances with the Philadelphia Chamber Music Society for their Emerging Voices series, and the Chamber Music Society of Lincoln Center for a concert in Alice Tully Hall featuring songs of Schubert, Chausson, and Harbison.
A unique vocal colour and commanding stage presence are the hallmarks of performances by mezzo-soprano Allyson McHardy. Hailed by Joshua Kosman of the San Francisco Chronicle as “a singer of enormous imagination and versatility,” she has appeared with the Paris Opera, Festival d’Aix-en-Provence, Chicago Symphony, Toronto Symphony, Glyndebourne Festival, San Francisco Opera, Boston Symphony, Canadian Opera Company, Dresden Philharmonic, and Théâtre capitole du Toulouse. Adam Fischer, Seiji Ozawa, Jeremy Rohrer, Kent Nagano, Emmanuelle Haim, Bernard Labadie, Ludovic Morlot, Carlos Calmar, and Jesus Lopez Cobos are among the conductors with whom she has collaborated for performances of works such as L’enfant et les sortileges, La clemenza di Tito, Das Rheingold, Dream of Gerontius, and Messiah.
Recent opera highlights include appearances in Donizetti’s Lucrezia Borgia in St. Gallen, Switzerland, Roberto Devereux for the Canadian Opera Company, Amadis de Gaule at the Opéra Comique, Handel’s Alcina with Opera Atelier, Madama Butterfly with both Opéra de Montréal and Vancouver Opera, Handel’s Hercules with Toronto’s Tafelmusik, and the role of Sister Helen in Opera de Montréal’s Dead Man Walking.
Allyson’s discography features the Juno-nominated Orlando by George Frideric Handel with the Pacific Baroque Orchestra and Alexander Weimann (ATMA). Other CDs include the Juno- and ADISQ-nominated recording of Caldara’s La conversione di Coldoveo, Re di Francia (ATMA); Bellini’s Norma with the Warsaw Philharmonic (Philharmonia Narodowa); two works by Harry Somers, Serinette and A Midwinter Night’s Dream (Centrediscs); and Ukrainian music by composer Mykola Lysenko in a six-disc collection on the Musica Leopolis label.
A prolific concert performer, Andrew has appeared with the Berliner and Wiener Philharmoniker, the Akademisten Berlin, the Symphonieorchester des Bayerischen Rundfunks and the Orchestra of the Age of Enlightenment with Sir Simon Rattle; the Orchestre de Paris, Swedish Radio Symphony Orchestra and London Symphony Orchestra with Daniel Harding; the Deutsches Symphonie-Orchester Berlin; the Gävle Symphony and Robin Ticciati; the Rotterdams Philharmonisch Orkest, the Orcherstre Métropolitain and the Philadelphia Orchestra with Yannick Nézet-Séguin; and the Accademia Santa Cecilia with Semyon Bychkov.
Andrew made his debut at the Royal Opera House, Covent Garden as Jacquino Fidelio, returning for Flamand Capriccio, Tamino Die Zauberflöte, Tichon Katya Kabanova and Narraboth Salome. He has also appeared at the Metropolitan Opera, the National Theatre Prague; La Monnaie Brussels; the Salzburger Festspiele; Hamburgische Staatsoper, Theater an der Wien, the Lucerne Festival and the Lyric Opera of Chicago.
Recent and future engagements include his Metropolitan Opera debut as Andres Wozzeck, Nicias in concert performances of Thais with the Toronto Symphony Orchestra and Das Lied von der Erde with the New York Philharmonic, Orchestre de Paris, Deutsches Symphonie-Orchester Berlin and Budapest Festival Orchestra. Further future engagements include returns to the Deutsches Symphonie-Orchester Berlin and the Bayerischer Rundfunk Munich.
Neal Davies studied at King's College, London, and the RAM, and won the Lieder Prize at the 1991 Cardiff Singer of the World Competition. He has appeared with the Oslo Philharmonic under Jansons, the BBC Symphony Orchestra under Boulez, the Cleveland and Philharmonia orchestras under Dohnanyi, the Chamber Orchestra of Europe under Harnoncourt, the OAE under Brüggen, the English Concert with Harry Bicket, the Gabrieli Consort under McCreesh, the Hallé Orchestra with Elder, Concerto Koeln under Bolton, the Scottish Chamber Orchestra with Adam Fischer, the Bergen Philharmonic Orchestra with Edward Gardner, Deutsches Symphonie Orchester Berlin with David Zinman, Melbourne Symphon Orchestra with Sir Andrew Davis, and the London Symphony and Vienna Philharmonic orchestras under Harding. He has been a regular guest of the Edinburgh Festival and BBC Proms.
Recent concert appearances include Shostakovich 14 with the BBC Symphony Orchestra and Kirill Karabits, a return to the Deutsche Staatsoper Berlin for King Arthur; concert performances of Peter Grimes with the Bergen Philharmonic and Messiah with the Lucerne Symphony. Previous seasons highlights featured the Edinburgh Festival with Edward Gardner (Creation), BBC Proms (Vaughan Williams’ Dona nobis pacem), with David Afkham and the Spanish National Orchestra, and with Maxime Pascal conducting the Hallé Orchestra. The 2018/19 season saw appearances with Les Violons du Roy and the New York Philharmonic Orchestra (Jonathan Cohen), the Bach Collegium Japan (Masaaki Suzuki), Music of the Baroque (Jane Glover) and the Philadelphia Orchestra (Bernard Labadie).
Neal’s wide discography includes Acis and Galatea under Christian Curnyn (BBC Music Magazine Award, 2019) Messiah, Theodora, Saul and Creation (Gramophone Award, 2008) under McCreesh, Jenufa and Makropulos Case under Sir Charles Mackerras, Barber’s Vanessa under Leonard Slatkin, Messiah under René Jacobs, the Hyperion Complete Schubert Edition with Graham Johnson, and Britten’s Billy Budd with Daniel Harding (Grammy Award, 2010).
Created in 1985 by founding conductor and music director Bernard Labadie, La Chapelle de Québec is one of North America’s premiere voice ensembles. The group is made up exclusively of professional singers who are hand picked from all over Canada. This unique chamber choir specializes in the choral/orchestral repertoire of the 17th and 18th centuries. The choir performs regularly with its other half, chamber orchestra Les Violons du Roy, and as a guest choir with some of the finest orchestras in North America. Its interpretations of the oratorios, requiems, masses, and cantatas of Bach, Handel, Mozart, and Haydn, as well as Fauré and Duruflé, are frequently hailed in the Canadian and international press.
La Chapelle de Québec is heard regularly at Palais Montcalm in Quebec City and Maison symphonique in Montreal, as well as at the Walt Disney Concert Hall with the Los Angeles Philharmonic, at Carnegie Hall with Les Violons du Roy and the Orchestra of St. Luke’s, and in Ottawa with the National Arts Centre Orchestra. The choir’s concerts are often broadcast by the CBC and Radio-Canada in Canada and by National Public Radio in the United States.
La Chapelle de Québec is also known for its role in Chemin de Noël, an annual event that brings music lovers from throughout the Québec City region together every December.